{"id":9690,"date":"2021-08-07T19:34:55","date_gmt":"2021-08-07T17:34:55","guid":{"rendered":"http:\/\/www.artericambi.com\/en\/?page_id=9690"},"modified":"2025-06-06T13:44:55","modified_gmt":"2025-06-06T11:44:55","slug":"amanda-beech-eng","status":"publish","type":"page","link":"https:\/\/www.artericambi.com\/en\/artists\/amanda-beech-eng\/","title":{"rendered":"AMANDA BEECH"},"content":{"rendered":"<div class=\"wpb-content-wrapper\">[vc_row fullwidth=&#8221;true&#8221; visibility=&#8221;hidden-sm&#8221; css=&#8221;.vc_custom_1748543493850{padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;background-image: url(https:\/\/www.artericambi.com\/wp-content\/uploads\/2025\/05\/DSC_2331-R-scaled.jpg?id=16255) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}&#8221;][vc_column][vc_empty_space height=&#8221;100px&#8221;][vc_empty_space height=&#8221;100px&#8221;][vc_custom_heading text=&#8221;AMANDA BEECH&#8221; font_container=&#8221;tag:h1|font_size:100|text_align:center|color:%23000000&#8243; google_fonts=&#8221;font_family:Raleway%3A100%2C200%2C300%2Cregular%2C500%2C600%2C700%2C800%2C900|font_style:700%20bold%20regular%3A700%3Anormal&#8221; css_animation=&#8221;fadeInDown&#8221; css=&#8221;.vc_custom_1748379576306{margin-right: 200px !important;margin-left: 200px !important;}&#8221;][vc_empty_space height=&#8221;100px&#8221;][vc_empty_space height=&#8221;100px&#8221;][\/vc_column][\/vc_row][vc_row fullwidth=&#8221;true&#8221; visibility=&#8221;visible-sm&#8221; css=&#8221;.vc_custom_1748514812563{padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;background-image: url(https:\/\/www.artericambi.com\/wp-content\/uploads\/2025\/05\/DSC_2331-R-scaled.jpg?id=16255) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}&#8221;][vc_column][vc_single_image image=&#8221;16255&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221; css=&#8221;&#8221;][vc_empty_space height=&#8221;60px&#8221;][vc_custom_heading text=&#8221;AMANDA BEECH&#8221; font_container=&#8221;tag:h1|font_size:60|text_align:center|color:%23000000&#8243; google_fonts=&#8221;font_family:Raleway%3A100%2C200%2C300%2Cregular%2C500%2C600%2C700%2C800%2C900|font_style:700%20bold%20regular%3A700%3Anormal&#8221; css_animation=&#8221;fadeInDown&#8221; css=&#8221;.vc_custom_1748515022097{border-color: #FFFFFF !important;}&#8221; link=&#8221;url:https%3A%2F%2Fwww.artericambi.com%2Fcarles-congost-real-enough%2F|title:https%3A%2F%2Fwww.artericambi.com%2Fcarles-congost-real-enough%2F&#8221;][vc_empty_space height=&#8221;60px&#8221;][\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1748101226167{padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}&#8221;][vc_column][vc_empty_space height=&#8221;100 px&#8221;][vc_text_separator title=&#8221;BIOGRAPHY&#8221; title_align=&#8221;separator_align_left&#8221; color=&#8221;custom&#8221; css=&#8221;&#8221; accent_color=&#8221;#8CBABE&#8221;][\/vc_column][\/vc_row][vc_row visibility=&#8221;visible-sm&#8221; css=&#8221;.vc_custom_1672934084915{padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}&#8221;][vc_column width=&#8221;1\/4&#8243;][mk_image src=&#8221;https:\/\/www.artericambi.com\/wp-content\/uploads\/2019\/07\/1400800p10450EDNmainamanda-beech1.jpg&#8221; image_width=&#8221;200&#8243; crop=&#8221;false&#8221; hover=&#8221;false&#8221; hover_style=&#8221;style2&#8243; align=&#8221;center&#8221; margin_bottom=&#8221;15&#8243;][mk_button style=&#8221;fancy_link&#8221; txt_color=&#8221;#424242&#8243; underline_color=&#8221;#8cbabe&#8221; url=&#8221;https:\/\/www.artericambi.com\/wp-content\/uploads\/2021\/02\/CV-2019_AB.pdf&#8221; target=&#8221;_blank&#8221; align=&#8221;center&#8221; margin_bottom=&#8221;20&#8243; animation=&#8221;left-to-right&#8221;]Amanda Beech CV (PDF)[\/mk_button][vc_empty_space][\/vc_column][vc_column width=&#8221;3\/4&#8243;][vc_column_text responsive_align=&#8221;left&#8221;]\n<p align=\"JUSTIFY\"><span style=\"color: #000000;\"><span style=\"font-family: Open Sans;\"><span style=\"font-size: medium;\"><strong>Amanda Beech<\/strong><b>\u00a0<\/b>is an artist and writer living in Los Angeles. Drawing from popular culture, critical philosophy and real events, her work manifests in different media, including critical writing, video installation, drawing, print, and sculpture. Using a range of compelling richly rhetorical and often dogmatic narratives and texts, Beech\u2019s work poses questions and propositions for what a realist art can be in today\u2019s culture; that is, a work that can articulate a comprehension of reality without the terminal mirror of a human identity that is used to picture it.<\/span><\/span><\/span><\/p>\n<p align=\"JUSTIFY\"><span style=\"color: #000000;\"><span style=\"font-family: Open Sans;\"><span style=\"font-size: medium;\">Here, the machinery of consensus building, the construction of beliefs, the traversal from fiction to fact, and the deep substrata of ideologies that make life meaningful are extended to new abstract realist fictions of how the world can be explained by extruding these from our familiar cultural, political, visual, and pragmatic experiences.<\/span><\/span><\/span><\/p>\n<p align=\"JUSTIFY\"><span style=\"color: #000000;\"><span style=\"font-family: Open Sans;\"><span style=\"font-size: medium;\">The works speak to themes of inequality, the myths of artistic practice, and the future of a world that has surpassed the need for neo-liberal capital. These worlds are not redemptive, but offer a view to other forms of consensus, other forms of power and other value systems. The work asks specific questions about how ideas form the world, how they change them, and, most significantly, how the concepts that grip us manifest in material form.<\/span><\/span><\/span><\/p>\n<p align=\"JUSTIFY\"><a name=\"_GoBack\"><\/a><span style=\"color: #000000;\"><span style=\"font-family: Open Sans;\"><span style=\"font-size: medium;\">Amanda Beech has exhibited her artwork internationally, Covenant Transport Move or Die, a five channel video work was exhibited at the SAW Video, Ottowa, the Baltic Center of Contemporary Art, 2016-7 and\u00a0<i>Beirut City Forum<\/i>, Ashkal Alwan, 2015.\u00a0<i>Final Machine<\/i>, a large scale video installation was also presented at\u00a0<i>Agitationism<\/i>, the Irish Biennial 2014, and<i>L\u2019Avenir<\/i>, Montreal Biennale, 2014. Beech\u2019s writing includes essays for the anthologies\u00a0<i>Speculative Aesthetics<\/i>, (Urbanomic, 2014)\u00a0<i>Realism, Materialism, Art<\/i>, (Sternberg Press, 2015), and contributions for the Irish and the Montreal Biennales\u2019 catalogues. Her artist\u2019s books include\u00a0<i>First Machine, Final Machine<\/i>, 2015 (LPG),\u00a0<i>Final Machine,<\/i>2013 (Urbanomic),\u00a0<i>Sanity Assassin,\u00a0<\/i>2010 (Urbanomic) and she has published multiple essays on-line. Beech is Dean of Critical Studies at CalArts, California, USA.<\/span><\/span><\/span><\/p>\n<p><span style=\"font-family: Open Sans;\"><span style=\"font-size: medium;\">\u00a0<\/span><\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row visibility=&#8221;hidden-sm&#8221; css=&#8221;.vc_custom_1672934076829{padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}&#8221;][vc_column width=&#8221;3\/4&#8243;][vc_column_text responsive_align=&#8221;left&#8221;]\n<p align=\"JUSTIFY\"><span style=\"color: #000000;\"><span style=\"font-family: Open Sans;\"><span style=\"font-size: medium;\"><strong>Amanda Beech<\/strong><b>\u00a0<\/b>is an artist and writer living in Los Angeles. Drawing from popular culture, critical philosophy and real events, her work manifests in different media, including critical writing, video installation, drawing, print, and sculpture. Using a range of compelling richly rhetorical and often dogmatic narratives and texts, Beech\u2019s work poses questions and propositions for what a realist art can be in today\u2019s culture; that is, a work that can articulate a comprehension of reality without the terminal mirror of a human identity that is used to picture it.<\/span><\/span><\/span><\/p>\n<p align=\"JUSTIFY\"><span style=\"color: #000000;\"><span style=\"font-family: Open Sans;\"><span style=\"font-size: medium;\">Here, the machinery of consensus building, the construction of beliefs, the traversal from fiction to fact, and the deep substrata of ideologies that make life meaningful are extended to new abstract realist fictions of how the world can be explained by extruding these from our familiar cultural, political, visual, and pragmatic experiences.<\/span><\/span><\/span><\/p>\n<p align=\"JUSTIFY\"><span style=\"color: #000000;\"><span style=\"font-family: Open Sans;\"><span style=\"font-size: medium;\">The works speak to themes of inequality, the myths of artistic practice, and the future of a world that has surpassed the need for neo-liberal capital. These worlds are not redemptive, but offer a view to other forms of consensus, other forms of power and other value systems. The work asks specific questions about how ideas form the world, how they change them, and, most significantly, how the concepts that grip us manifest in material form.<\/span><\/span><\/span><\/p>\n<p align=\"JUSTIFY\"><a name=\"_GoBack\"><\/a><span style=\"color: #000000;\"><span style=\"font-family: Open Sans;\"><span style=\"font-size: medium;\">Amanda Beech has exhibited her artwork internationally, Covenant Transport Move or Die, a five channel video work was exhibited at the SAW Video, Ottowa, the Baltic Center of Contemporary Art, 2016-7 and\u00a0<i>Beirut City Forum<\/i>, Ashkal Alwan, 2015.\u00a0<i>Final Machine<\/i>, a large scale video installation was also presented at\u00a0<i>Agitationism<\/i>, the Irish Biennial 2014, and<i>L\u2019Avenir<\/i>, Montreal Biennale, 2014. Beech\u2019s writing includes essays for the anthologies\u00a0<i>Speculative Aesthetics<\/i>, (Urbanomic, 2014)\u00a0<i>Realism, Materialism, Art<\/i>, (Sternberg Press, 2015), and contributions for the Irish and the Montreal Biennales\u2019 catalogues. Her artist\u2019s books include\u00a0<i>First Machine, Final Machine<\/i>, 2015 (LPG),\u00a0<i>Final Machine,<\/i>2013 (Urbanomic),\u00a0<i>Sanity Assassin,\u00a0<\/i>2010 (Urbanomic) and she has published multiple essays on-line. Beech is Dean of Critical Studies at CalArts, California, USA.<\/span><\/span><\/span><\/p>\n<p><span style=\"font-family: Open Sans;\"><span style=\"font-size: medium;\">\u00a0<\/span><\/span>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/4&#8243;][mk_image src=&#8221;https:\/\/www.artericambi.com\/wp-content\/uploads\/2019\/07\/1400800p10450EDNmainamanda-beech1.jpg&#8221; image_width=&#8221;200&#8243; crop=&#8221;false&#8221; hover=&#8221;false&#8221; hover_style=&#8221;style2&#8243; align=&#8221;center&#8221; margin_bottom=&#8221;30&#8243;][mk_button style=&#8221;fancy_link&#8221; txt_color=&#8221;#424242&#8243; underline_color=&#8221;#8cbabe&#8221; url=&#8221;https:\/\/www.artericambi.com\/wp-content\/uploads\/2021\/02\/CV-2019_AB.pdf&#8221; target=&#8221;_blank&#8221; align=&#8221;center&#8221; margin_bottom=&#8221;20&#8243; animation=&#8221;left-to-right&#8221;]Amanda Beech CV (PDF)[\/mk_button][\/vc_column][\/vc_row][vc_row visibility=&#8221;hidden-sm&#8221; css=&#8221;.vc_custom_1748447774170{padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}&#8221;][vc_column][vc_empty_space height=&#8221;50px&#8221;][mk_image src=&#8221;https:\/\/www.artericambi.com\/wp-content\/uploads\/2021\/08\/AB.jpg&#8221; 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css=&#8221;.vc_custom_1748371816729{margin-right: 45px !important;margin-left: 45px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}&#8221;][vc_column][vc_empty_space height=&#8221;100px&#8221;][vc_text_separator title=&#8221;ARTWORKS&#8221; title_align=&#8221;separator_align_left&#8221; color=&#8221;custom&#8221; css=&#8221;&#8221; accent_color=&#8221;#8CBABE&#8221;][vc_empty_space height=&#8221;15px&#8221;][\/vc_column][\/vc_row][vc_row fullwidth=&#8221;true&#8221; visibility=&#8221;hidden-sm&#8221; css=&#8221;.vc_custom_1748547214353{margin-right: 45px !important;margin-left: 45px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}&#8221;][vc_column][vc_media_grid style=&#8221;load-more&#8221; items_per_page=&#8221;6&#8243; gap=&#8221;35&#8243; item=&#8221;11733&#8243; css=&#8221;&#8221; btn_title=&#8221;VIEW MORE&#8221; btn_style=&#8221;outline-custom&#8221; btn_outline_custom_color=&#8221;#333333&#8243; btn_outline_custom_hover_background=&#8221;#8cbabe&#8221; btn_outline_custom_hover_text=&#8221;#ffffff&#8221; btn_shape=&#8221;square&#8221; btn_align=&#8221;center&#8221; grid_id=&#8221;vc_gid:1749210244048-a732978c-da0b-10&#8243; include=&#8221;13119,13117,13112,13118,13116,13115,13114,13113&#8243;][vc_empty_space height=&#8221;50px&#8221;][\/vc_column][\/vc_row][vc_row visibility=&#8221;visible-sm&#8221; css=&#8221;.vc_custom_1678291996818{padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}&#8221;][vc_column][vc_media_grid style=&#8221;load-more&#8221; items_per_page=&#8221;6&#8243; gap=&#8221;35&#8243; item=&#8221;12749&#8243; css=&#8221;&#8221; btn_title=&#8221;VIEW MORE&#8221; btn_style=&#8221;outline-custom&#8221; btn_outline_custom_color=&#8221;#333333&#8243; btn_outline_custom_hover_background=&#8221;#8cbabe&#8221; btn_outline_custom_hover_text=&#8221;#ffffff&#8221; btn_shape=&#8221;square&#8221; btn_align=&#8221;center&#8221; grid_id=&#8221;vc_gid:1749210244048-36feefa5-5c02-3&#8243; include=&#8221;13119,13117,13112,13118,13116,13115,13114,13113&#8243;][vc_empty_space height=&#8221;100px&#8221;][\/vc_column][\/vc_row][vc_row visibility=&#8221;hidden-sm&#8221; css=&#8221;.vc_custom_1748447774170{padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}&#8221;][vc_column][mk_image src=&#8221;https:\/\/www.artericambi.com\/wp-content\/uploads\/2025\/05\/Amanda-Beech-Video-scaled.jpg&#8221; image_width=&#8221;2600&#8243; image_height=&#8221;1000&#8243; crop=&#8221;false&#8221; hover=&#8221;false&#8221; align=&#8221;center&#8221;][mk_fancy_title size=&#8221;13&#8243; font_family=&#8221;none&#8221; align=&#8221;center&#8221;]\n<p style=\"text-align: center;\">Exhibition view of <em>Cause and Effect<\/em> by Amanda Beech, 2019<\/p>\n[\/mk_fancy_title][vc_empty_space height=&#8221;100px&#8221;][\/vc_column][\/vc_row][vc_row fullwidth=&#8221;true&#8221; 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