{"id":10890,"date":"2013-04-16T10:06:06","date_gmt":"2013-04-16T08:06:06","guid":{"rendered":"http:\/\/www.artericambi.com\/en\/?p=10890"},"modified":"2023-02-21T17:54:59","modified_gmt":"2023-02-21T16:54:59","slug":"carles-congost-year-13-17-april-2013-book","status":"publish","type":"post","link":"https:\/\/www.artericambi.com\/en\/carles-congost-year-13-17-april-2013-book\/","title":{"rendered":"CARLES CONGOST – Year 13"},"content":{"rendered":"
[vc_row][vc_column][mk_fancy_title line_height=”50″ font_family=”none”]\n

CARLES CONGOST<\/b><\/span><\/span><\/p>\n

Year 13<\/span><\/span><\/p>\n[\/mk_fancy_title][vc_empty_space height=”20 px”][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/3″][mk_image src=”https:\/\/www.artericambi.com\/wp-content\/uploads\/2013\/06\/13.jpg”][vc_empty_space height=”30 px”][\/vc_column][vc_column width=”2\/3″][vc_separator color=”custom” accent_color=”#8cbabe”][vc_column_text]\n

LAUNCH OF THE BOOK:<\/b><\/u><\/span><\/span><\/span><\/strong>\u00a0<\/span><\/span><\/span><\/strong><\/h6>\n

17 April 2013 at ART BRUSSELS\u00a0<\/b><\/span><\/span><\/strong><\/span><\/span><\/p>\n

18 April 2013 at KOMPLOT<\/b><\/span><\/span><\/strong><\/span><\/span><\/p>\n[\/vc_column_text][vc_separator color=”custom” accent_color=”#8cbabe”][vc_column_text]\n

YEAR is the annual yearbook showcasing a subjective, abstract, moving scene. The third issue of YEAR is, again, an almanac, a programme, a diary and a lot of glam shit handsome gorgeous terrific \u201cblah blah blah\u201d gathering together more than 85 prospective and retrospective contributions. Theory, poetry and narration mingle with the visual in what unravels, page after page – a landscape full of details and perspectives. On the one hand it is a printed exhibition, on the other a garden hosting an experimental barbecue with dead lipstick and redneck zombies, plus a lake and a few books. Can you smell that? Where does this come from, huh? And discussions behind every bush and column.<\/span><\/span><\/span><\/p>\n

It\u2019s not really necessary to number the pages, we think, as it\u2019s just like having a map in each room of your apartment. Nor is it arranged in the order of the twelve months between May 2012 and April 2013, but rather around twelve sections named after Belgian discos. This dancing factory was generated through research led by the DSCTHK collective, which gathered together the historic material, and then formalised it in the twelve inside covers by \u00dcberknackig.<\/span><\/span><\/span><\/p>\n

In this edition of YEAR, the seasons are introduced with musical notes by Jean-Yves Evrard, mirrored with images of scattered glasses by Tatiana Echeverri Fernandez. Anthea Hamilton painted the sides of the pages: Each book is a piece of the puzzle of a pile of eighteen YEARs.<\/span><\/span><\/span><\/p>\n

Y11.otf – aka \u2018Melody\u2019 – is the first font composed from the first YEAR pages, scanned and processed by Fonzie (thanks to Pierre & Pierre). Its jumping and bumping characters happened to be ideal for poetry and music lyrics, unlike \u2018Gentium\u2019 – a typeface for the nation – used elsewhere in the book.<\/span><\/span><\/span><\/p>\n

Three editors have completed special sections, unfolding YEAR in an exhibition at Komplot : \u00cele 2 France curated by Yann Chevallier, Black and Vases curated by Sonia Dermience and Alberto Garc\u00eda del Castillo and After Howl directed by David Evrard.<\/span><\/span><\/span><\/p>\n

Once all the contributions arrived at this surprise party, YEAR\u2019s third anniversary was celebrated on March 1st 2013. We ate the tiger – and a good year strikes again!<\/span><\/span><\/span><\/p>\n

.<\/span><\/p>\n

The Contributors<\/span><\/span><\/span>:<\/span><\/span><\/span><\/p>\n

Damien Airault, Shane Anderson, Sylvie Arnaud, Isabelle Arthuis, Sven Augustijnen, Patrick Bobilin, Francisco Camacho, Ellen Cantor, CAREFOUR, Gabriella Ciancimino, Contour, Boris Crack, Fran\u00e7ois Curlet, Mathis Collins,\u00a0<\/span><\/span><\/span>Carles Congost<\/b><\/span><\/span><\/span>, Anna Davinski Foundation, Isabelle de Visscher-Lemaitre, Federico del Vecchio, DSCTHK, Etablissement d’en Face, Jean-Yves Evrard, Tatiana Fernandez Echeverri, France Fiction, FLINT-FUYT, Andr\u00e9 Fortino, Michel Fran\u00e7ois, Charles Garcin, Jill Gasparina, Mathis Gasser, Armand Gatti, Laetitia Gendre, Adel Ghezal, Karl Holmqvist, Huz & Bosshard, Vincent Honor\u00e9 \/ Ben Cain, Hotel Charleroi, Jean Paul Jacquet, Benjamin Jaubert, Renaud Jerez, Agata Jastrzabek & Laszlo Umbreit, Ilja Karilampi, Kim Kim Gallery, Lucas Knipscher, Estelle Lecaille, Erwan Mah\u00e9o, David Malek, Fiona McKay, Estelle Nabeyrat, Michelle Naismith, Lise Nelleman, Bavo Olbrechts, Douglas Park, Gianandrea Poletta, Carl Palm, Yann Perol, Guillaume Robert, Viktor Rosdahl, John Russell, Gio Black Peter, Fabrice Pichat, Emilie Pitoiset, Sten Are Sandbeck, Timothy Stappaert, Jaro Straub, Peter Sutherland, Fleur van Muiswinkel, Benjamin Valenza, France Valliccioni, Joelle Van Autreve, Lauren VHS, Wepion.<\/span><\/span><\/span><\/p>\n

.<\/span><\/p>\n

Komplot<\/span><\/span><\/span><\/strong><\/p>\n

295 Av. Van Volxemlaan<\/span><\/span><\/span><\/p>\n

1190 Brussels<\/span><\/span><\/span><\/p>\n

www.kmplt.be<\/span><\/span><\/a>.<\/span>[\/vc_column_text][vc_empty_space height=”30 px”][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space height=”100 px”][\/vc_column][\/vc_row]\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column][mk_fancy_title line_height=”50″ font_family=”none”] CARLES CONGOST Year 13 [\/mk_fancy_title][vc_empty_space height=”20 px”][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/3″][mk_image src=”https:\/\/www.artericambi.com\/wp-content\/uploads\/2013\/06\/13.jpg”][vc_empty_space height=”30 px”][\/vc_column][vc_column width=”2\/3″][vc_separator color=”custom” accent_color=”#8cbabe”][vc_column_text] LAUNCH OF THE BOOK:\u00a0 17 April 2013 at ART BRUSSELS\u00a0 18 April 2013 at KOMPLOT [\/vc_column_text][vc_separator color=”custom” accent_color=”#8cbabe”][vc_column_text] YEAR is the annual yearbook showcasing a subjective, abstract, moving scene. The third issue of YEAR is, again, an almanac, […]<\/p>\n","protected":false},"author":2,"featured_media":3048,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14],"tags":[43],"class_list":["post-10890","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-en","tag-carles-congost-news-eng"],"yoast_head":"\nCARLES CONGOST - Year 13 - Artericambi<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.artericambi.com\/carles-congost-year-13\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"CARLES CONGOST - Year 13 - Artericambi\" \/>\n<meta property=\"og:description\" content=\"[vc_row][vc_column][mk_fancy_title line_height=”50″ font_family=”none”] CARLES CONGOST Year 13 [\/mk_fancy_title][vc_empty_space height=”20 px”][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/3″][mk_image src=”https:\/\/www.artericambi.com\/wp-content\/uploads\/2013\/06\/13.jpg”][vc_empty_space height=”30 px”][\/vc_column][vc_column width=”2\/3″][vc_separator color=”custom” accent_color=”#8cbabe”][vc_column_text] LAUNCH OF THE BOOK:\u00a0 17 April 2013 at ART BRUSSELS\u00a0 18 April 2013 at KOMPLOT [\/vc_column_text][vc_separator color=”custom” accent_color=”#8cbabe”][vc_column_text] YEAR is the annual yearbook showcasing a subjective, abstract, moving scene. 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