{"id":16912,"date":"2025-09-27T14:35:29","date_gmt":"2025-09-27T12:35:29","guid":{"rendered":"https:\/\/www.artericambi.com\/en\/?p=16912"},"modified":"2026-01-24T23:55:28","modified_gmt":"2026-01-24T22:55:28","slug":"donata-lazzarini-cuoredoro-goldenheart","status":"publish","type":"post","link":"https:\/\/www.artericambi.com\/en\/donata-lazzarini-cuoredoro-goldenheart\/","title":{"rendered":"DONATA LAZZARINI &#8211; Cuoredoro (Goldenheart)"},"content":{"rendered":"<div class=\"wpb-content-wrapper\">[vc_row fullwidth=&#8221;true&#8221; visibility=&#8221;hidden-sm&#8221; css=&#8221;.vc_custom_1762280440841{margin-right: 45px !important;margin-left: 45px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;background-image: url(https:\/\/www.artericambi.com\/wp-content\/uploads\/2025\/09\/Donata-Lazzarini-Cuoredoro-2025.png?id=16794) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}&#8221;][vc_column][vc_empty_space height=&#8221;120px&#8221;][vc_custom_heading text=&#8221;DONATA LAZZARINI&#8221; font_container=&#8221;tag:h1|font_size:80|text_align:center|color:%23FFFFFF&#8221; google_fonts=&#8221;font_family:Raleway%3A100%2C200%2C300%2Cregular%2C500%2C600%2C700%2C800%2C900|font_style:700%20bold%20regular%3A700%3Anormal&#8221; css_animation=&#8221;slideInDown&#8221; css=&#8221;&#8221;][vc_empty_space height=&#8221;30px&#8221;][vc_custom_heading text=&#8221;Cuoredoro (Goldenheart)&#8221; font_container=&#8221;tag:h1|font_size:80|text_align:center|color:%23FFFFFF&#8221; google_fonts=&#8221;font_family:Open%20Sans%3A300%2C300italic%2Cregular%2Citalic%2C600%2C600italic%2C700%2C700italic%2C800%2C800italic|font_style:400%20italic%3A400%3Aitalic&#8221; css_animation=&#8221;slideInUp&#8221; css=&#8221;&#8221;][vc_empty_space height=&#8221;10px&#8221;][vc_custom_heading text=&#8221;October 18 &#8211; December 23, 2025&#8243; font_container=&#8221;tag:h3|font_size:15|text_align:center|color:%23FFFFFF&#8221; google_fonts=&#8221;font_family:Open%20Sans%3A300%2C300italic%2Cregular%2Citalic%2C600%2C600italic%2C700%2C700italic%2C800%2C800italic|font_style:600%20bold%20italic%3A600%3Aitalic&#8221; css_animation=&#8221;fadeIn&#8221; css=&#8221;&#8221;][vc_separator color=&#8221;white&#8221; el_width=&#8221;20&#8243; css_animation=&#8221;fadeIn&#8221; css=&#8221;&#8221;][vc_empty_space height=&#8221;110px&#8221;][\/vc_column][\/vc_row][vc_row attached=&#8221;true&#8221; visibility=&#8221;visible-sm&#8221; css=&#8221;.vc_custom_1748076246505{margin-right: 45px !important;margin-left: 45px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}&#8221;][vc_column][vc_single_image image=&#8221;16794&#8243; img_size=&#8221;large&#8221; alignment=&#8221;center&#8221; css_animation=&#8221;fadeIn&#8221; css=&#8221;&#8221;][vc_empty_space height=&#8221;20px&#8221;][vc_custom_heading text=&#8221;DONATA LAZZARINI&#8221; font_container=&#8221;tag:h1|font_size:40|text_align:center|color:%23000000&#8243; google_fonts=&#8221;font_family:Raleway%3A100%2C200%2C300%2Cregular%2C500%2C600%2C700%2C800%2C900|font_style:700%20bold%20regular%3A700%3Anormal&#8221; css_animation=&#8221;fadeInDown&#8221; css=&#8221;&#8221;][vc_custom_heading text=&#8221;Cuoredoro (Goldenheart)&#8221; font_container=&#8221;tag:h1|font_size:40|text_align:center|color:%23000000&#8243; google_fonts=&#8221;font_family:Open%20Sans%3A300%2C300italic%2Cregular%2Citalic%2C600%2C600italic%2C700%2C700italic%2C800%2C800italic|font_style:400%20italic%3A400%3Aitalic&#8221; css_animation=&#8221;fadeInUp&#8221; css=&#8221;&#8221;][vc_empty_space height=&#8221;20px&#8221;][vc_custom_heading text=&#8221;October 18 &#8211; December 23, 2025&#8243; font_container=&#8221;tag:h3|font_size:15|text_align:center&#8221; google_fonts=&#8221;font_family:Open%20Sans%3A300%2C300italic%2Cregular%2Citalic%2C600%2C600italic%2C700%2C700italic%2C800%2C800italic|font_style:600%20bold%20italic%3A600%3Aitalic&#8221; css_animation=&#8221;fadeIn&#8221; css=&#8221;&#8221;][\/vc_column][\/vc_row][vc_row fullwidth=&#8221;true&#8221; padding=&#8221;1&#8243; css=&#8221;.vc_custom_1748027043107{margin-right: 45px !important;margin-left: 45px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}&#8221;][vc_column][vc_empty_space height=&#8221;20px&#8221;][\/vc_column][\/vc_row][vc_row padding=&#8221;1&#8243; css=&#8221;.vc_custom_1748097131780{padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}&#8221;][vc_column][vc_text_separator title=&#8221;PRESS RELEASE&#8221; title_align=&#8221;separator_align_left&#8221; color=&#8221;custom&#8221; css_animation=&#8221;none&#8221; css=&#8221;&#8221; accent_color=&#8221;#8CBABE&#8221;][\/vc_column][\/vc_row][vc_row padding=&#8221;1&#8243; css=&#8221;.vc_custom_1748094702816{padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}&#8221;][vc_column width=&#8221;1\/4&#8243; offset=&#8221;vc_hidden-xs&#8221;][\/vc_column][vc_column width=&#8221;3\/4&#8243;][vc_column_text]\n<p style=\"text-align: left;\" align=\"CENTER\"><span style=\"color: #333333;\"><em><span style=\"font-family: 'Open Sans', sans-serif;\"><span style=\"font-size: small;\">Curated by <\/span><\/span><strong><span style=\"font-family: 'Open Sans', sans-serif;\"><span style=\"font-size: small;\"><b>MARIA ROSA SOSSAI<\/b><\/span><\/span><\/strong><\/em><\/span><\/p>\n[\/vc_column_text][vc_empty_space height=&#8221;30px&#8221;][vc_column_text]\n<p align=\"JUSTIFY\"><span style=\"color: #000000;\"><span style=\"font-family: Open Sans, sans-serif;\"><span style=\"font-size: medium;\">Artericambi Gallery is pleased to announce <\/span><\/span><strong><span style=\"font-family: Open Sans, sans-serif;\"><span style=\"font-size: medium;\">CUOREDORO<\/span><\/span><\/strong><span style=\"font-family: Open Sans, sans-serif;\"><span style=\"font-size: medium;\">, a solo exhibition by Donata Lazzarini that explores the relationship between humanity, nature and time through a layered and poetic narrative. The artist draws inspiration from an emblematic episode of botanical <strong>extinction, the disappearance of the female cycad<\/strong> <\/span><\/span><strong><em><span style=\"font-family: Open Sans, sans-serif;\"><span style=\"font-size: medium;\">Encephalartos woodii<\/span><\/span><\/em><\/strong><span style=\"font-family: Open Sans, sans-serif;\"><span style=\"font-size: medium;\">, to construct a journey through eras, imaginaries and geographies that question the limits of knowledge and memory.<\/span><\/span><\/span><\/p>\n<p align=\"JUSTIFY\"><span style=\"font-family: 'Open Sans', sans-serif; color: #000000;\"><span style=\"font-size: medium;\">The installation, conceived as a <strong>symbolic ecosystem<\/strong>, unfolds in a series of works that include <strong>ceramic, bronze and metal sculptures, fabric prints, texts and objects<\/strong>, in a continuous shift between scientific practice and ancestral mythology. The works function as artifacts or clues that trace an expanded <strong>map between history and biology.<\/strong><\/span><\/span><\/p>\n<p align=\"JUSTIFY\"><span style=\"color: #000000;\"><span style=\"font-family: Open Sans, sans-serif;\"><span style=\"font-size: medium;\">At the entrance to the exhibition, a book, a chair and a group of ceramic sculptures invite the visitor into an <strong>alternative narrative<\/strong> of natural history, a <strong><em>History of Plants<\/em><\/strong> that does not follow canonical classification but is guided by fortuitous events, unpredictable encounters and relative temporalities that seem to emerge from <\/span><\/span><strong><span style=\"font-family: Open Sans, sans-serif;\"><span style=\"font-size: medium;\">Arthur Conan Doyle\u2019s <\/span><\/span><em><span style=\"font-family: Open Sans, sans-serif;\"><span style=\"font-size: medium;\">The Lost World<\/span><\/span><\/em><span style=\"font-family: Open Sans, sans-serif;\"><span style=\"font-size: medium;\">.<\/span><\/span><\/strong><\/span><\/p>\n<p align=\"JUSTIFY\"><span style=\"color: #000000;\"><span style=\"font-family: Open Sans, sans-serif;\"><span style=\"font-size: medium;\">At the heart of the exhibition is the <strong>enigmatic apparition of <\/strong><\/span><\/span><em><strong><span style=\"font-family: Open Sans, sans-serif;\"><span style=\"font-size: medium;\">CUOREDORO<\/span><\/span><\/strong><\/em><span style=\"font-family: Open Sans, sans-serif;\"><span style=\"font-size: medium;\">, a feminine form with albino plumage, cast in bronze. More than a simple subject, <strong><em>CUOREDORO<\/em> is a presence, an inquiry, a flower and also a body.<\/strong> Its identity lies between the epistemic planes of the natural and the human, raising questions about time, desire and survival.<\/span><\/span><\/span><\/p>\n<p align=\"JUSTIFY\"><span style=\"color: #000000;\"><span style=\"font-family: Open Sans, sans-serif;\"><span style=\"font-size: medium;\">In the work <\/span><\/span><em><strong><span style=\"font-family: Open Sans, sans-serif;\"><span style=\"font-size: medium;\">C\/2004 Q2. Not before the year 111348<\/span><\/span><\/strong><\/em><span style=\"font-family: Open Sans, sans-serif;\"><span style=\"font-size: medium;\">, the artist projects herself into a distant future, evoking the return of Comet Machholz through a starry sky engraved on a golden plate. Other pieces bring forth traces of human gestures and practices, such as bodies engaged in sports, mating rituals, and biotechnology notes.<\/span><\/span><\/span><\/p>\n<p align=\"JUSTIFY\"><span style=\"color: #000000;\"><span style=\"font-family: Open Sans, sans-serif;\"><span style=\"font-size: medium;\">Finally, in the series <\/span><\/span><em><strong><span style=\"font-family: Open Sans, sans-serif;\"><span style=\"font-size: medium;\">LOVE FROM&#8230;<\/span><\/span><\/strong><\/em><span style=\"font-family: Open Sans, sans-serif;\"><span style=\"font-size: medium;\">, the extraction of the Woodii cycad from the South African forest where it was first discovered is evoked, as well as its transfer to the Durban Botanic Garden. From gardens like this one, from the 20th century onward, travelers began to send affectionate postcards to their loved ones \u2014 sentimental fragments that become part of CUOREDORO\u2019s identity.<\/span><\/span><\/span><\/p>\n<p align=\"JUSTIFY\"><span style=\"color: #000000;\"><span style=\"font-family: Open Sans, sans-serif;\"><span style=\"font-size: medium;\">Through a language that intertwines <strong>sculptural gesture with writing, scientific data with poetic imagination<\/strong>, Donata Lazzarini constructs a device for reflecting on disappearance and resistance. <\/span><\/span><em><strong><span style=\"font-family: Open Sans, sans-serif;\"><span style=\"font-size: medium;\">CUOREDORO<\/span><\/span><\/strong><\/em><strong><span style=\"font-family: Open Sans, sans-serif;\"><span style=\"font-size: medium;\"> asks us to consider what remains, what vanishes and what we might still choose to preserve.<\/span><\/span><\/strong><\/span><\/p>\n[\/vc_column_text][vc_empty_space height=&#8221;30px&#8221;][\/vc_column][\/vc_row][vc_row fullwidth=&#8221;true&#8221; 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image_width=&#8221;2600&#8243; image_height=&#8221;1000&#8243; crop=&#8221;false&#8221; hover=&#8221;false&#8221;][vc_custom_heading text=&#8221;Exhibition view of Donata Lazzarini&#8217;s \u201cCUOREDORO\u201d exhibition, 2025&#8243; font_container=&#8221;tag:h3|font_size:13|text_align:center&#8221; google_fonts=&#8221;font_family:Open%20Sans%3A300%2C300italic%2Cregular%2Citalic%2C600%2C600italic%2C700%2C700italic%2C800%2C800italic|font_style:400%20italic%3A400%3Aitalic&#8221; css_animation=&#8221;none&#8221; css=&#8221;.vc_custom_1763126673268{background-color: #FFFFFF !important;}&#8221;][\/vc_column][\/vc_row][vc_row fullwidth=&#8221;true&#8221; visibility=&#8221;visible-sm&#8221; css=&#8221;.vc_custom_1748101677563{padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}&#8221;][vc_column][mk_image src=&#8221;https:\/\/www.artericambi.com\/wp-content\/uploads\/2025\/09\/DSC_0944-copia.jpg&#8221; image_width=&#8221;2600&#8243; image_height=&#8221;1000&#8243; crop=&#8221;false&#8221; hover=&#8221;false&#8221;][vc_custom_heading text=&#8221;Exhibition view of Donata Lazzarini&#8217;s \u201cCUOREDORO\u201d exhibition, 2025&#8243; font_container=&#8221;tag:h3|font_size:13|text_align:center&#8221; google_fonts=&#8221;font_family:Open%20Sans%3A300%2C300italic%2Cregular%2Citalic%2C600%2C600italic%2C700%2C700italic%2C800%2C800italic|font_style:400%20italic%3A400%3Aitalic&#8221; css_animation=&#8221;none&#8221; css=&#8221;.vc_custom_1763126678282{background-color: #FFFFFF !important;}&#8221;][vc_empty_space height=&#8221;50px&#8221;][\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1748101226167{padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}&#8221;][vc_column][vc_text_separator title=&#8221;BIOGRAPHY&#8221; title_align=&#8221;separator_align_left&#8221; color=&#8221;custom&#8221; css=&#8221;&#8221; accent_color=&#8221;#8CBABE&#8221;][\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1748101239124{padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}&#8221;][vc_column width=&#8221;1\/4&#8243;][vc_single_image image=&#8221;16457&#8243; img_size=&#8221;medium&#8221; alignment=&#8221;center&#8221; css=&#8221;&#8221;][\/vc_column][vc_column width=&#8221;3\/4&#8243;][vc_column_text]\n<p align=\"JUSTIFY\"><span style=\"font-family: 'Open Sans', sans-serif; color: #000000;\"><span style=\"font-size: medium;\">Donata Lazzarini is an artist and lecturer at the Brera Academy of Fine Arts in Milan. Her work focuses on the environment and landscape through a variety of artistic practices. She recently won <strong>PAC2025 \u2013 Piano per l\u2019Arte Contemporanea<\/strong>, promoted by the Directorate-General for Contemporary Creativity of the Italian Ministry of Culture, with the project <em>Celibi. Storia di una migrazione botanica<\/em>, which examines the extinction of several rare botanical species. In the exhibition <strong>ARIA<\/strong>, presented at GAM Verona, she showcased <em>Xenogenesi<\/em>, a project addressing the relationship between ecosystems and the adaptation of aerial botanical species within anthropized spaces.<\/span><\/span><\/p>\n<p align=\"JUSTIFY\"><span style=\"font-family: 'Open Sans', sans-serif; color: #000000;\"><span style=\"font-size: medium;\">Her study of botanical elements takes shape through sculpture and photography, as well as drawing derived from landscape observation, which has been a constant feature of her practice for many years. She has exhibited in a number of public and private institutions, including: Adiacenze Bologna, Careof Milan, GAM Verona, Galleria Artericambi Verona, Museo Civico di Castelbuono Palermo, Quadriennale di Roma, Museo della Permanente Milan, Accademia di San Luca Rome, Fondazione Bevilacqua La Masa Venice, Galleria Internazionale C. Pesaro Venice, Galleria Civica di Modena, Biblioteca Braidense Milan, Galleria Nazionale Ljubljana, Premio Suzzara Mantova, Premio Fondazione Zanotto Verona, Cicognani Galerie Kohl, and Cavenaghi Arte Milan.<\/span><\/span><\/p>\n<p align=\"JUSTIFY\"><span style=\"color: #000000;\"><span style=\"font-family: Open Sans, sans-serif;\"><span style=\"font-size: medium;\">Together with Maria Rosa Sossai, she is co-founder and editor of <\/span><\/span><em><strong><span style=\"font-family: Open Sans, sans-serif;\"><span style=\"font-size: medium;\">fuoriregistro<\/span><\/span><\/strong><\/em><span style=\"font-family: Open Sans, sans-serif;\"><span style=\"font-size: medium;\">, a publishing project that investigates the relationship between education and contemporary art, Bo.te Edizioni, Lugano. She is the author of the short story <\/span><\/span><em><span style=\"font-family: Open Sans, sans-serif;\"><span style=\"font-size: medium;\">L&#8217;ora del giorno<\/span><\/span><\/em><span style=\"font-family: Open Sans, sans-serif;\"><span style=\"font-size: medium;\">, Leppi Lampi Labors, Turin 2021.<\/span><\/span><\/span><\/p>\n<p align=\"JUSTIFY\"><span style=\"color: #000000;\"><span style=\"font-family: 'Open Sans', sans-serif;\"><span style=\"font-size: medium;\">\u00a0<\/span><\/span><\/span><\/p>\n<p align=\"JUSTIFY\"><span style=\"color: #000000;\">\u00a0<\/span><\/p>\n[\/vc_column_text][vc_btn title=&#8221;More info&#8221; style=&#8221;outline-custom&#8221; outline_custom_color=&#8221;#000000&#8243; outline_custom_hover_background=&#8221;#000000&#8243; shape=&#8221;square&#8221; align=&#8221;center&#8221; css_animation=&#8221;fadeIn&#8221; css=&#8221;&#8221; link=&#8221;url:https%3A%2F%2Fwww.artericambi.com%2Fen%2Fartists%2Fdonata-lazzarini%2F|title:https%3A%2F%2Fwww.artericambi.com%2Fen%2Fartists%2Fdonata-lazzarini%2F&#8221;][vc_empty_space height=&#8221;50px&#8221;][\/vc_column][\/vc_row]\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row fullwidth=&#8221;true&#8221; 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